Romanticism: Optimist and Pessimist
[alert-success] Romanticism: Optimist and Pessimist
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[alert-primary] Short Summary [/alert-primary]
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The Romantic movement was a spectacular event that took place in the United States of America throughout the first part of the 1800s. In the United States of America, Romanticism was a vehement reaction to the rational era and the ideas that Locke, Newton, and Pope had established. Following the neo-classicism that predominated throughout the Augustan Age, England experienced a significant romantic movement.
Around the same time, in the 19th century, there was a significant pushback against the age of reason, and something quite similar took place in the United States. It was becoming increasingly apparent that Locke and Pope were becoming less prominent as Newton began to exert an influence on the perspectives of notable authors and philosophers. A fresh viewpoint on humanity, the natural world, and the supreme deity was pervasive in every location. This new perspective was unique and fresh. Throughout the entirety of Europe, it was evident that romanticism supplanted classicism as more prevalent.
In the United States of America, the new ideas that were popular were also embraced. William Cullen Bryant, a poet, wrote an essay on American poetry in which he criticized the practice of following the poetical heritage of the eighteenth century. In his essay, Bryant emphasized the need for adaptability and exploring new avenues. Walt Whitman completed the process of liberating poetry from the confines of the 18th century, while romantics such as Thoreau and Emerson rejected the established pattern.
Treatment of Romanticism in Literature
The adjustments that Romanticism brought about to the subject matter and the way that it was portrayed in literature were significantly more significant. Both the poet and the reader were no longer enthralled by the intellectually rigorous; rather, they were passionately pulled to the imaginative instead. A passionate search for the peculiar, strange, and even horrifying was sparked as a result of this.
Shelley was encouraged to draw analogies between the unique and entirely unusual image of 'ghosts from an enchanter fleeing and the very familiar picture of autumn leaves being scattered by the west wind. This was because there was an eerie spirit at work everywhere, and it was this energy that drove her to create these comparisons. It was because of this tendency that the odd became more 'naturalized' literary works. The disgust that Augustans had for the brutalities of the Gothic period gave way to a sentimental appreciation and a sympathetic grasp of artefacts from the mediaeval period.
There was an eerie energy at work everywhere that inspired Shelley to draw comparisons between the unusual and completely new image of "ghosts from an enchanter fleeing and the very familiar picture of fall leaves being scattered by the west wind. Gothic literature, architecture, and mediaeval chivalry were all things that grabbed the public's attention. As a result of the romantic fascination with the distant ,mysterious, and magical mediaeval ages ,a great number of fantasy narrative devices and haunted castles were introduced into the literary canon in England. On the other hand ,it assumed a different form in American writing, where it was particularly effective in employing the grotesque and malignant in a psychological form.
Nature
During the time of the Romantic Movement, there was a greater focus placed on nature in the work of American authors. The exact and thorough portrayals of nature that may be found in pieces of poetry and fiction that are situated in ideal surroundings are a reflection of the newly discovered fascination with nature. By the time the romantic period began, poets such as Freneau had already begun to incorporate elements of nature into their poetry. The poets of the 19th century, on the other hand, were the ones who brought nature into the spotlight as an important subject.
For example, the American poets Bryant and Emerson were adamant believers in the essential connection that exists between man and nature, and Wordsworth's profound affection for the natural world was mirrored by writers from the other side of the Atlantic. Within his work "Nature, Edison presents a number of thoughts. Sir Walter Scott's influence was also responsible for making it possible to take into account as an essential component of the literary method. Scott was able to deftly handle the splendor of the Scottish landscape while simultaneously employing it as a setting for his stories in his literature, which included both poems and novels. Washington Irving, in response to Scott, has been credited with introducing the powerful romantic landscape tradition to the literary canon of the United States.
Individualism
The importance of the person increased as a consequence of the adoption of this new romantic mentality. The propagation of lyricism can be attributed to an increasing understanding of the relevance of individuality, the value of individuals, and the variety of emotional responses that people might experience. Byron's immense appeal contributed to the growth of the personal lyric as one of the most popular literary genres in the United States.
The American people had a great deal of appreciation for American authors such as Burns and Thomas Moore. Emerson is considered to be one of the most influential advocates of he individual cult. Romantic literature did an excellent job of capturing the full range of human emotions, including happiness, love, rapture, longing, fear, regret, hope, and faith. An unquenchable thirst for beauty and an insatiable curiosity were two of the most powerful emotions that were experienced. In his writing, Edgar Allan Poe exemplifies the traits of the Romantic movement. Poetry and storytelling are two of the ways in which he exhibits his efforts to reach the beauty described above.
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